Your poem's great. Like music, poetry can be structured. In formal poetry, the lines of a poem can have a specific rhythm and meter. This would dictate that certain lines have a set number of repetitions of a given rhythmic pattern.
A well known example is the line form called iambic-pentameter. Iambic-pentameter basically means that each line contains five repetitions of a rhythmic pattern called an
iamb. An
iamb consists of two syllables, the first being unstressed and the second being stressed. An example of an iamb is the word 'about'. People say: a-
BOUT, not
A-bout (the emphasis is on the '
BOUT').
When writing a line in iambic-pentameter, you would choose your words so that the emphasis of the syllables roughly/mostly matched the pattern of five
iambs:
beneath the world a growling monster waits.
|
| spoken as
V
be-
neath the-
world a-
grow ling-
mon ster-
waits.
An
iamb is just one type of rhythmical unit, you don't have to know all their names and you can mix, match and make them up. Basically, you work with different patterns of syllable emphasis. Also, if
most of the natural emphasis of the syllables in the words you choose matches a recognizable or repeated pattern, the occasional word which doesn't fit may be naturally read with the wrong emphasis. This can cause some dissonance and accentuate that word.
Generally, most poetic forms will cycle the rhythm and meter of each line (or every line will have the exact same metric form).
Following a structured form gives your poem a special power, much like the power of structured music. Once you get going on something, the form you choose (or create) can help drive the creative process. Another thing to keep in mind is that 'rhythm' can also be free-form. That is, you can still think about rhythm without intending to follow a cyclic rhythmical pattern. It's really up to your personal sense of flow and style.
As Sobek said, there are even stricter forms of poetry which impose other guidelines such as rhyming. You might find these enjoyable as well.
I agree with Sercee in that I don't think there's a such thing as 'correct' form. I think if you try to write something using rules and theory, you'll fail. Whether your motivation is passion, angst, humor, boredom or trickery, creative expression comes from the spirit and from your own personal experience.
I do think that looking over different poetic forms and learning something about techniques like rhyme, rhythm, harmony, dissonance and alliteration can certainly help broaden your horizons.
Like many people, you already have a good sense of composition.
I liked your poem. It seems to echo a common theme which I've seen in other poems on this forum: being torn by choices which must be made. To choose one, one must seemingly set the other aside. There's also this sense of destiny. You say "From far away the bell has rung" in your first line, this seems to say to me that some external force calls into you the knowledge that you must lead a life, and face, probably more than one dilemma. There's a sense of unfairness as you hint at the fact that some choices have no good outcome. Well, it probably all meant something different to you, but that's my take
Thanks for sharing,
T. Guy.